This blog will look rubbish as i am writing it on my iPad.
You can see how important the beetles were to apple by the fact that despite the fact that although they will add a capital letter to Reading and White, when i spell beetles correctly it insists on correcting it to beetles. You cant see that i spelled it beetles that time, no autocorrect was needed.
What amazes me is that anyone was bothered about this amazing announcement. Who was waiting for their back catalogue to be released on iTunes, as that was the only way they might hear is band? Obviously someone, as i predict that they will shoot to the top of the iTunes chart.
I decided quite a long time ago that the beetles were ok, obviously important in the grand scheme of things, but not really my bag. I therefore bought the cd of the number ones when it was a fiver, and it has been occasionally on my iPod. And i probably listened to it too. It was a long time ago. Why, after so long being unable to, are people right now downloading this music, in poor quality, being the slaves to a corporation (what happens in 10 years time when your computer has died and apple have lost all records of your transaction?)
I have a pair of shelves stuffed with CDs, and recently threw out the cassette tapes that represented my childhood in dodgy music (fuzzbox anyone?) and I've downloaded thirteen tracks in my whole life. A charity itunes only belle and sebastian album, blur's popscene, and in a futile effort, frank sidebottom's posthumous release. I don't need music that urgently, and i don't want it in a metaphysical form, in poor quality. I'll wait until it arrives, often until it is available at a price i like, and i will enjoy it when i have it.
Just some bloke, writing random stuff about random stuff. No theme, no plan, just whatever's on his mind.
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Tuesday, 16 November 2010
Thursday, 5 March 2009
Music to slit your wrists to.
“No-one listens to me – I might as well be a Leonard Cohen album” Neil the Hippy.
I know when Lisa’s annoyed – I can tell by looking at her iPod (and she let slip this morning too) and seeing if she’s listening to “The Holy Bible, by the Manic Street Preachers.
When I was younger, and living with parents, it was useful to have a method beyond the usual slamming of doors (occasionally punching holes in them) and shouting about how much I hated them (I didn’t really) to show how upset I was. I’d generally put on my 7inch single of Alice Cooper’s “Poison” – at full blast. Later I graduated to Bon Jovi (I know) and eventually Nirvana. Anything loud and shouty seemed to extend my own anger and share it with the world. This is not, it seems, how Lisa sees it – as she isn’t a 14 year old on the top deck of a bus (walking along in the street, sitting on a park bench) she doesn’t play her music loud on her phone for the world to hear – neither, as she said she would certainly do when she first moved in with me, does she hide in her room with it on the stereo at full blast. No. Headphones are fine – this is personal anger, and this is how she deals with it. This morning it was cancelled trains, and arriving at work to meet the new boss an hour later than planned, and I imagine, not as well prepared as she might have liked.
Meanwhile, I locked myself out of the house this morning – with only my car key for solace – no phone, no money, no axe (I tried a brick to the window – basically my home insurance is only going to be useful for fire damage – no-one is getting in without the key. I ended up driving to Kingston to meet my father in law, who found the spare key they have (thank goodness) which I then used to get in. I was frantic and fuming and generally in a right old state – I tried putting the radio on, but DJs don’t know how I’m feeling and nothing seemed suitable (the kooks when you are pissed off are even more annoying than when you are in a good mood!) so it went off again.
I needed something hyper – something loud and fast and funky, a soundtrack to my frantic quest for the spare key – music to drive a mini round the streets of south London with a mission to. I’m thinking Pendulum, the Propellerheads, or the Prodigy (who all begin with a P – so do the Pet Shop Boys, but they wouldn’t have been right for the moment).
I love The Prodigy – when you are in the right mood, they are the perfect soundtrack. I was once late for work in Bristol as I was so carried away by their noise and their beats (at full volume in the car with me singing along – the Fat Of The Land album) that I missed my turning on the M4 and had to go an extra 10 miles to the next one, before doing a U turn and doing another 10 miles back. I loved it.
I usually like my music to reflect my mood – when I’m in a good mood. Pendulum are great for open road driving – or walking to Upton Park on match day. Does it Offend You? Yeah? Likewise.
However – when I’m feeling depressed – I don’t reach for the Cure, Leonard Cohen, or the quite superb White Lies (a fantastic album about death and its associated subjects, murder, suicide, the afterlife). Recently I’ve been far more likely to reach for Lily Allen’s “it’s not me, it’s you” with its jaunty beats, happy melodies, and jolly subject matter such as having boyfriends who don’t satisfy her in bed, or “fuck you” which kind of speaks for itself. I want music to change my mood, to bring me round. Not to enhance my feeling of gloom or anger.
One album I keep coming back to is My Chemical Romance – “The Black Parade”. Not a duff track on it, and every song is a rock anthem about what its like to be young, having no-one understand you, deliberately upsetting parents (Mama is my favourite track – “mama – we’re all gonna die, mama – we’re meant for the flies, and right now they’re building a coffin your size, mama – we’re all gonna die” ) its loud for when I’m angry, it’s funny for when I’m happy, and I love it because it can take me between one and the other – which is exactly what I want it for. Cracking stuff.
Usually – I listen to music because I want to listen to it specifically – I very occasionally will use the shuffle feature on the iPod, but if something isn’t high on my agenda, I’ll skip it, and skip the next one until it plays something I want to listen to – by which time I could have scrolled through and found something myself. Apple’s Genius feature is pretty good though – analysing your and other’s listening habits, it creates a playlist based on a song of your choosing – listen to Belle and Sebastian, and it suggests Franz Ferdinand (also from Scotland) Camera Obscura (also mellow and indie) Los Campesinos (also someone no-one else has heard of) and others of a similar nature. It will (if you let it) also recommend other music you might like, although if I bought everything I liked I’d have rooms full of unlistened to CDs, and no money.
Originally I was going to use this to review a certain album, but we’ve had a glut of good ones recently, and the concert season is underway soon too – starting with Franz Ferdinand on Monday in Hammersmith. See – I do do things other than running – I’m trying to focus on some of them too – otherwise this will just end up as another running blog – but I’m more interesting than that. I hope.
I know when Lisa’s annoyed – I can tell by looking at her iPod (and she let slip this morning too) and seeing if she’s listening to “The Holy Bible, by the Manic Street Preachers.
When I was younger, and living with parents, it was useful to have a method beyond the usual slamming of doors (occasionally punching holes in them) and shouting about how much I hated them (I didn’t really) to show how upset I was. I’d generally put on my 7inch single of Alice Cooper’s “Poison” – at full blast. Later I graduated to Bon Jovi (I know) and eventually Nirvana. Anything loud and shouty seemed to extend my own anger and share it with the world. This is not, it seems, how Lisa sees it – as she isn’t a 14 year old on the top deck of a bus (walking along in the street, sitting on a park bench) she doesn’t play her music loud on her phone for the world to hear – neither, as she said she would certainly do when she first moved in with me, does she hide in her room with it on the stereo at full blast. No. Headphones are fine – this is personal anger, and this is how she deals with it. This morning it was cancelled trains, and arriving at work to meet the new boss an hour later than planned, and I imagine, not as well prepared as she might have liked.
Meanwhile, I locked myself out of the house this morning – with only my car key for solace – no phone, no money, no axe (I tried a brick to the window – basically my home insurance is only going to be useful for fire damage – no-one is getting in without the key. I ended up driving to Kingston to meet my father in law, who found the spare key they have (thank goodness) which I then used to get in. I was frantic and fuming and generally in a right old state – I tried putting the radio on, but DJs don’t know how I’m feeling and nothing seemed suitable (the kooks when you are pissed off are even more annoying than when you are in a good mood!) so it went off again.
I needed something hyper – something loud and fast and funky, a soundtrack to my frantic quest for the spare key – music to drive a mini round the streets of south London with a mission to. I’m thinking Pendulum, the Propellerheads, or the Prodigy (who all begin with a P – so do the Pet Shop Boys, but they wouldn’t have been right for the moment).
I love The Prodigy – when you are in the right mood, they are the perfect soundtrack. I was once late for work in Bristol as I was so carried away by their noise and their beats (at full volume in the car with me singing along – the Fat Of The Land album) that I missed my turning on the M4 and had to go an extra 10 miles to the next one, before doing a U turn and doing another 10 miles back. I loved it.
I usually like my music to reflect my mood – when I’m in a good mood. Pendulum are great for open road driving – or walking to Upton Park on match day. Does it Offend You? Yeah? Likewise.
However – when I’m feeling depressed – I don’t reach for the Cure, Leonard Cohen, or the quite superb White Lies (a fantastic album about death and its associated subjects, murder, suicide, the afterlife). Recently I’ve been far more likely to reach for Lily Allen’s “it’s not me, it’s you” with its jaunty beats, happy melodies, and jolly subject matter such as having boyfriends who don’t satisfy her in bed, or “fuck you” which kind of speaks for itself. I want music to change my mood, to bring me round. Not to enhance my feeling of gloom or anger.
One album I keep coming back to is My Chemical Romance – “The Black Parade”. Not a duff track on it, and every song is a rock anthem about what its like to be young, having no-one understand you, deliberately upsetting parents (Mama is my favourite track – “mama – we’re all gonna die, mama – we’re meant for the flies, and right now they’re building a coffin your size, mama – we’re all gonna die” ) its loud for when I’m angry, it’s funny for when I’m happy, and I love it because it can take me between one and the other – which is exactly what I want it for. Cracking stuff.
Usually – I listen to music because I want to listen to it specifically – I very occasionally will use the shuffle feature on the iPod, but if something isn’t high on my agenda, I’ll skip it, and skip the next one until it plays something I want to listen to – by which time I could have scrolled through and found something myself. Apple’s Genius feature is pretty good though – analysing your and other’s listening habits, it creates a playlist based on a song of your choosing – listen to Belle and Sebastian, and it suggests Franz Ferdinand (also from Scotland) Camera Obscura (also mellow and indie) Los Campesinos (also someone no-one else has heard of) and others of a similar nature. It will (if you let it) also recommend other music you might like, although if I bought everything I liked I’d have rooms full of unlistened to CDs, and no money.
Originally I was going to use this to review a certain album, but we’ve had a glut of good ones recently, and the concert season is underway soon too – starting with Franz Ferdinand on Monday in Hammersmith. See – I do do things other than running – I’m trying to focus on some of them too – otherwise this will just end up as another running blog – but I’m more interesting than that. I hope.
Monday, 9 February 2009
Training Update
You may have spotted on my new Twitter feed (bottom right) that I didn’t run home on Friday. Sometimes it is best to listen to your body, and all through the weekend I had that feeling that I might be about to go down with something – but then I’ve been feeling a bit like that since the beginning of December, when I had 2 days off work with flu, and I’ve been a bit coughy, and rather phlegmmy every since.
Usually I really enjoy running (in fact I really enjoy any physical activity) but my mind works in a strange way, and seems to think it enjoys sitting on the tube/playing computer games/watching MasterChef more. (one of those is true, but I also enjoy being gorgeous, and running is the only thing that keeps me from being an amorphous sofa bound blob, washing myself with a rag on a stick.).
So I scratched Friday’s run, and went home on the tube – as it often is when I should have run home, it was a hellish journey, and I didn’t get a seat until Stockwell. And then I had to elbow a pregnant pensioner aside to beat her to it – and it was one of those really solid fold down ones.
On Sunday morning – I felt pretty up for it – my mind was back in the right place, and I was looking forward to a bracing 11 miler. About 3 miles in, I was stopping to walk, feeling weird, and wheezing like an asthmatic with a really good idea in a 30’s comic.
Lisa took pity on me, and walked me back to the car. I drove home, while she got a proper run in by running home. I wasn’t happy.
Whenever things aren’t going my way in any of my chosen ventures, I start to reconsider my motivation for that venture. You can tell I’m having a terrible time at work, because I’ll go and buy a new synthesizer, in the mistaken belief that I’ll become a pop star instead. (I sold loads of these recently and bought a new TV – a 37inch LCD doesn’t give me delusions of musical talent).
When I’m having a bad time running (I have a marathon in 2 months, and my first 20 miler is on Sunday, and in the last 2 weeks I’ve run a total of twice, covering about 16 miles between those two runs – I’m calling it a rest period, but its not going to help my chances) I start to question my motives for running. I enjoy it (most of the time) but what am I going to achieve? Maybe I have really high standards, but will I one day look back at my running career and be pleased that I ran 4 marathons (yes – I’m already very proud of that) or will I be disappointed that after 5 years of running, I never progressed further than “mediocre” (this is what I’m worried about).
I don’t have the dedication to improve hugely, and even if I did – where would it get me? I don’t have an enormous desire to be “a better runner”, I just have a desire to be “fit and healthy and happy and beautiful” and I’m mostly there.
I took a year off the marathons (well – about 8 months off between finishing the last, and starting the training for the next) because I realised I was losing big chunks of my life to running. When you need to run 15-20 miles each weekend, its quite difficult to visit the family, go out with friends, or sit in front of a computer, or with a guitar on my lap being creative (which is actually the easiest thing to fit in around the running).
I went swimming at lunchtime today, and loved it - 500 metres in all manner of unidentifiable strokes in about 25 minutes. (I only have 2 gears in swimming – swimming and hanging onto the side of the pool panting. Technically there is another – drowning – but I’ve avoided that one so far)
I also bought myself a swanky new bike the other day, and had a great time being shown that all the lightweight carbon fibre in the world won’t make me faster than the wife when it comes to powering up the hills in Richmond Park!
I want to do a triathlon. It’s a goal – it impresses people (as much as having run marathons) and it is something I can do that Lisa can’t do (she can swim, but only in a splashing about trying to make sure her contact lenses don’t float away type way).
I’m hoping that by starting off as a mediocre runner, and adding the ability to cycle in a pretty mediocre way, as well as training really hard to be a mediocre swimmer, I will then become more than the mediocre sum of my mediocre parts, and become a passable triathlete.
All the way though – I’ll be making sure I enjoy all aspects of the training – keep healthy and happy and beautiful (beeeefcaaake!) and have plenty of time for being creative.
Usually I really enjoy running (in fact I really enjoy any physical activity) but my mind works in a strange way, and seems to think it enjoys sitting on the tube/playing computer games/watching MasterChef more. (one of those is true, but I also enjoy being gorgeous, and running is the only thing that keeps me from being an amorphous sofa bound blob, washing myself with a rag on a stick.).
So I scratched Friday’s run, and went home on the tube – as it often is when I should have run home, it was a hellish journey, and I didn’t get a seat until Stockwell. And then I had to elbow a pregnant pensioner aside to beat her to it – and it was one of those really solid fold down ones.
On Sunday morning – I felt pretty up for it – my mind was back in the right place, and I was looking forward to a bracing 11 miler. About 3 miles in, I was stopping to walk, feeling weird, and wheezing like an asthmatic with a really good idea in a 30’s comic.
Lisa took pity on me, and walked me back to the car. I drove home, while she got a proper run in by running home. I wasn’t happy.
Whenever things aren’t going my way in any of my chosen ventures, I start to reconsider my motivation for that venture. You can tell I’m having a terrible time at work, because I’ll go and buy a new synthesizer, in the mistaken belief that I’ll become a pop star instead. (I sold loads of these recently and bought a new TV – a 37inch LCD doesn’t give me delusions of musical talent).
When I’m having a bad time running (I have a marathon in 2 months, and my first 20 miler is on Sunday, and in the last 2 weeks I’ve run a total of twice, covering about 16 miles between those two runs – I’m calling it a rest period, but its not going to help my chances) I start to question my motives for running. I enjoy it (most of the time) but what am I going to achieve? Maybe I have really high standards, but will I one day look back at my running career and be pleased that I ran 4 marathons (yes – I’m already very proud of that) or will I be disappointed that after 5 years of running, I never progressed further than “mediocre” (this is what I’m worried about).
I don’t have the dedication to improve hugely, and even if I did – where would it get me? I don’t have an enormous desire to be “a better runner”, I just have a desire to be “fit and healthy and happy and beautiful” and I’m mostly there.
I took a year off the marathons (well – about 8 months off between finishing the last, and starting the training for the next) because I realised I was losing big chunks of my life to running. When you need to run 15-20 miles each weekend, its quite difficult to visit the family, go out with friends, or sit in front of a computer, or with a guitar on my lap being creative (which is actually the easiest thing to fit in around the running).
I went swimming at lunchtime today, and loved it - 500 metres in all manner of unidentifiable strokes in about 25 minutes. (I only have 2 gears in swimming – swimming and hanging onto the side of the pool panting. Technically there is another – drowning – but I’ve avoided that one so far)
I also bought myself a swanky new bike the other day, and had a great time being shown that all the lightweight carbon fibre in the world won’t make me faster than the wife when it comes to powering up the hills in Richmond Park!
I want to do a triathlon. It’s a goal – it impresses people (as much as having run marathons) and it is something I can do that Lisa can’t do (she can swim, but only in a splashing about trying to make sure her contact lenses don’t float away type way).
I’m hoping that by starting off as a mediocre runner, and adding the ability to cycle in a pretty mediocre way, as well as training really hard to be a mediocre swimmer, I will then become more than the mediocre sum of my mediocre parts, and become a passable triathlete.
All the way though – I’ll be making sure I enjoy all aspects of the training – keep healthy and happy and beautiful (beeeefcaaake!) and have plenty of time for being creative.
Thursday, 20 November 2008
...for fifteen pounds a year
"i'll sell your memories
for 15 pounds per year"
Muse - The small print
I'm sitting in the spare room, and writing this as avoidance for making music. I used to sit in a dark room for hours on end, eating pringles and getting knobs all greasy. you can hear the results on my myspace page. you'll notice no updates over the last few years though.
Its all the wife's fault. wedded bliss is not good for making music. which would i rather do, get frustrated with my synth for not making the right bleepy noise, or sit in the lounge with a glass of wine, my beautiful wife, and a film?
Lisa's out right now, and i'm still not making music. the thing is, times change... i'm off in a bit to make some pastry, get a pasta sauce on, and attempt an apple tart (ambitious).
Its not just the time aspect though - its about inspiration, as Mr Bellamy says - he'll sell your memories - for 15 pounds a year. he has things to sing about, to write about - and even if they aren't his, they are still being sung. when he became all loved up, he moved from love songs to fears of the apocolypse. smart.
it doesn't always work though. Alanis morrisette is shit while happy. Her first album, is great, and now she's divorced, I understand her latest is back up to the same standard, but the less said about everything in between the better.
The man behind Spiritualised was lucky enough to be critically ill recently, and when he work from the coma, wrote his (second) best album to date. they'll never top "ladies and gentlemen we are floating in space", although I am probably biased towards that one, as for the first 6 months of lisa and my relationship it was our choice of snuggling song, and there are many happy memories associated with that time of my life.
I sold a large chunk of my music setup recently, and in addition to a new tv, I bought a new guitar. (i'm so domesticated, I got one to match the lounge's new decor - although that means it lives in the lounge, so i play it more often, so thats got to be a good thing.)
Its about 9 years since i last wrote a song, and nearly as long since I really sat down and made some music at all. yet still I can't sell the remaining 2 keyboards, drum machine, 2 effects units and goodness knows what else i have hanging around. its a shame really, as i really enjoyed it, but I try and be creative elsewhere. It was never going to make me famous or rich.
for 15 pounds per year"
Muse - The small print
I'm sitting in the spare room, and writing this as avoidance for making music. I used to sit in a dark room for hours on end, eating pringles and getting knobs all greasy. you can hear the results on my myspace page. you'll notice no updates over the last few years though.
Its all the wife's fault. wedded bliss is not good for making music. which would i rather do, get frustrated with my synth for not making the right bleepy noise, or sit in the lounge with a glass of wine, my beautiful wife, and a film?
Lisa's out right now, and i'm still not making music. the thing is, times change... i'm off in a bit to make some pastry, get a pasta sauce on, and attempt an apple tart (ambitious).
Its not just the time aspect though - its about inspiration, as Mr Bellamy says - he'll sell your memories - for 15 pounds a year. he has things to sing about, to write about - and even if they aren't his, they are still being sung. when he became all loved up, he moved from love songs to fears of the apocolypse. smart.
it doesn't always work though. Alanis morrisette is shit while happy. Her first album, is great, and now she's divorced, I understand her latest is back up to the same standard, but the less said about everything in between the better.
The man behind Spiritualised was lucky enough to be critically ill recently, and when he work from the coma, wrote his (second) best album to date. they'll never top "ladies and gentlemen we are floating in space", although I am probably biased towards that one, as for the first 6 months of lisa and my relationship it was our choice of snuggling song, and there are many happy memories associated with that time of my life.
I sold a large chunk of my music setup recently, and in addition to a new tv, I bought a new guitar. (i'm so domesticated, I got one to match the lounge's new decor - although that means it lives in the lounge, so i play it more often, so thats got to be a good thing.)
Its about 9 years since i last wrote a song, and nearly as long since I really sat down and made some music at all. yet still I can't sell the remaining 2 keyboards, drum machine, 2 effects units and goodness knows what else i have hanging around. its a shame really, as i really enjoyed it, but I try and be creative elsewhere. It was never going to make me famous or rich.
Thursday, 11 September 2008
Ash - 1977 - Live at the Roundhouse.
I’m about 8.
I like Adam and the Ants. A babysitter brings her make up box, and for about 15 minutes before bed, I am Adam. Lipstick stripes on my cheek and everything.
I'm about 16.
I was very late getting into music. by this time, I have about 5 tapes, Kylie, Bros, Michael Jackson, and Hits 8 or some such compilation (it counts as 2) and a couple of 7inch singles. One of them is Alice Cooper's "Poison". Another is my dads, so doesn't count. I know my friends at school are into music, but I don't bother to ask them about it. I know Alf like Genesis (he's a drummer) and I remember Andy has all sorts of things written on his rucksack about Ned’s atomic dustbin, the levellers and EMF.
Music for me at this time is what I hear on top of the pops, recording the charts (being careful to press pause before the talking starts) and reading the reviews (but still not bothering to seek out the music deliberately) on teletext.
CDs are something other people can afford.
I'm 17.
Two of the girls seem devastated at the news that Kurt is dead. I have no idea who Kurt is. Even when I find out, I am mystified as to why it matters. They are in tears. Probably about 2 weeks later I get Nevermind (I’ve graduated to CD) and it becomes my angry music (replacing the aforementioned Alice cooper). I somehow get into Extreme, driving my girlfriend to my first proper gig (in Hammersmith) and falling asleep in a little chef car park on the way back, because falling asleep while driving is not a good way to keep a girlfriend. Living in rural Dorset, the choice of places to go to concerts was limited. My parents would point out that they took Martyn and I to see Status Quo prior to this, but that was their gig. (I still loved it though).
I'm 17 and a half.
It is the height of the Blur/Oasis battle of Britpop, and I'm throwing the same girlfriend out of the front of a moshpit at blur's showbar gig, while the crowd go worryingly wild to Girls and Boys. (This gig gets top billing in Alex James' autobiography as his homecoming gig. it is an "I was there" moment for me.)
I’m 18
Getting into music properly now. Plenty of Britpop, a bit of techno, Orbital, The Prodigy. I take photos at the Prodigy’s gig in Bournemouth. Fat of the Land tour – they are at the top of their game, and I touch Maxim Reality’s sweaty back.
I'm 18 and a half.
Young enough and old enough for the half to be important. I'm working a summer job at Salisbury hospital doing gardening. Not the last time I did manual labour for money, but the only time I stuck it our for more than a morning before walking out for my lunch break and never coming back (call me a snob, but people with degrees in Biochemistry should not be stacking shelves in Tesco. I think the fact that I earn 5 times what I was getting then by sitting on my butt all day shows who was right about that one). I have a walkman (remember them?) Think an iPod with only enough room for one album on it, and there was about a one in 10 chance that it would destroy its own music collection without warning if your pinch roller was a bit sticky.
My walkman is special though. No - not special like the poor souls who shuffled about in the bit of the hospital I was working in. the bit where I felt slightly uneasy when one of the crocodile of patients recognised me, called me by my name, and I later realised I'd worked with him the last summer, selling furniture at the Game Fair. "What happened to you?" I naively asked. "Oh, you know" he muttered. I didn't know. I still can't remember his name.
My walkman has a radio. CDs are something other people can afford. I listen to Radio 1. Simon Mayo has done the golden hour (always featuring Arrested Development - was he on their payroll?) and the daytime show is starting.
Guitars. Drums. It may well have been Jo Wiley introducing Ash, and she mentions that their album is out soon, called 1977 as that is when they were born, they are about to learn their A level results. So am I.
Girl From Mars belts onto my headphones. The sun is shining, I’m sitting on a wall, clipping a bush with secateurs, and a band made up of kids like me (or so I wished) are on the radio, singing about the girl they knew and still think of (ringing any bells – see my previous entries!) I’d been playing guitar for a while, I’d sung songs I’d written myself with Alf on drums, but these guys were doing it, and doing it well.
Girl From Mars got heavy rotation, and it was a massive boost to my day when it came on the radio. Looking at the chart of the year for `1995, it is dominated by Robson and Jerome, Celine Dion, Take That, Simply Red and Michael Jackson. Blur are there at 10, with Country House, but hearing a good song maybe twice a day on radio 1 was worth it, and Girl From Mars became the anthem of my Summer.
On arrival at university, I found myself in a house with 4 blokes of my age, who mostly (apart from Chris, and his continuous rotation of Deep Blue Something’s “Breakfast at Tiffany’s”) had great taste in music. I also found myself with a bit of money (I was one of the last recipients of the Student Grant, and the parents were good to me too), and Ash’s 1977 album – on tape (£4.50 on the day of release! Awesome!) Had to be done.
When you are young, and you’re music collection fits on a single shelf, you get to know it intimately. I can still sing Michael Jackson’s Bad in its entirety all the way through – every word and “hee heeee!!!” Extreme’s Pornograffiti visits once in a while like an old friend. Ash’s 1977 was similar, although not on such heavy playback, but the chance to hear them play it in full, 12 years later, had to be done.
Back to a 3 piece, after losing their 2nd guitarist, Ash’s last album didn’t do well. Put it this way, Lisa and I have all their albums, except that one. Free All Angels was probably the last album we bought 2 copies of, unsure at the time of our level of commitment. However – last Friday night, they were rejuvenated, as was the whole of the Roundhouse. We may all be 30(ish) now, but there is nothing like seeing your favourite band of your teenage years, playing their best album, like it was 1995 all over again.
I’m old enough to want to sit down for a gig these days, and Lisa is short enough to want to see too, so the balcony at the venue suits us fine, but if I could have swapped places with anyone in the seething mass of sweaty bodies below us, feeling and acting 13 years younger, 13 years more care free, and 13 years more happy to sit for 45 minutes on the Northern Line, stinking of BO and spilled beer, I would have done like a shot. Then I’d have worried about the wife getting elbowed in the head, and it wouldn’t have been such fun. Some responsibilities never change.
Oh – and they had Stormtroopers too. Cool.
I like Adam and the Ants. A babysitter brings her make up box, and for about 15 minutes before bed, I am Adam. Lipstick stripes on my cheek and everything.
I'm about 16.
I was very late getting into music. by this time, I have about 5 tapes, Kylie, Bros, Michael Jackson, and Hits 8 or some such compilation (it counts as 2) and a couple of 7inch singles. One of them is Alice Cooper's "Poison". Another is my dads, so doesn't count. I know my friends at school are into music, but I don't bother to ask them about it. I know Alf like Genesis (he's a drummer) and I remember Andy has all sorts of things written on his rucksack about Ned’s atomic dustbin, the levellers and EMF.
Music for me at this time is what I hear on top of the pops, recording the charts (being careful to press pause before the talking starts) and reading the reviews (but still not bothering to seek out the music deliberately) on teletext.
CDs are something other people can afford.
I'm 17.
Two of the girls seem devastated at the news that Kurt is dead. I have no idea who Kurt is. Even when I find out, I am mystified as to why it matters. They are in tears. Probably about 2 weeks later I get Nevermind (I’ve graduated to CD) and it becomes my angry music (replacing the aforementioned Alice cooper). I somehow get into Extreme, driving my girlfriend to my first proper gig (in Hammersmith) and falling asleep in a little chef car park on the way back, because falling asleep while driving is not a good way to keep a girlfriend. Living in rural Dorset, the choice of places to go to concerts was limited. My parents would point out that they took Martyn and I to see Status Quo prior to this, but that was their gig. (I still loved it though).
I'm 17 and a half.
It is the height of the Blur/Oasis battle of Britpop, and I'm throwing the same girlfriend out of the front of a moshpit at blur's showbar gig, while the crowd go worryingly wild to Girls and Boys. (This gig gets top billing in Alex James' autobiography as his homecoming gig. it is an "I was there" moment for me.)
I’m 18
Getting into music properly now. Plenty of Britpop, a bit of techno, Orbital, The Prodigy. I take photos at the Prodigy’s gig in Bournemouth. Fat of the Land tour – they are at the top of their game, and I touch Maxim Reality’s sweaty back.
I'm 18 and a half.
Young enough and old enough for the half to be important. I'm working a summer job at Salisbury hospital doing gardening. Not the last time I did manual labour for money, but the only time I stuck it our for more than a morning before walking out for my lunch break and never coming back (call me a snob, but people with degrees in Biochemistry should not be stacking shelves in Tesco. I think the fact that I earn 5 times what I was getting then by sitting on my butt all day shows who was right about that one). I have a walkman (remember them?) Think an iPod with only enough room for one album on it, and there was about a one in 10 chance that it would destroy its own music collection without warning if your pinch roller was a bit sticky.
My walkman is special though. No - not special like the poor souls who shuffled about in the bit of the hospital I was working in. the bit where I felt slightly uneasy when one of the crocodile of patients recognised me, called me by my name, and I later realised I'd worked with him the last summer, selling furniture at the Game Fair. "What happened to you?" I naively asked. "Oh, you know" he muttered. I didn't know. I still can't remember his name.
My walkman has a radio. CDs are something other people can afford. I listen to Radio 1. Simon Mayo has done the golden hour (always featuring Arrested Development - was he on their payroll?) and the daytime show is starting.
Guitars. Drums. It may well have been Jo Wiley introducing Ash, and she mentions that their album is out soon, called 1977 as that is when they were born, they are about to learn their A level results. So am I.
Girl From Mars belts onto my headphones. The sun is shining, I’m sitting on a wall, clipping a bush with secateurs, and a band made up of kids like me (or so I wished) are on the radio, singing about the girl they knew and still think of (ringing any bells – see my previous entries!) I’d been playing guitar for a while, I’d sung songs I’d written myself with Alf on drums, but these guys were doing it, and doing it well.
Girl From Mars got heavy rotation, and it was a massive boost to my day when it came on the radio. Looking at the chart of the year for `1995, it is dominated by Robson and Jerome, Celine Dion, Take That, Simply Red and Michael Jackson. Blur are there at 10, with Country House, but hearing a good song maybe twice a day on radio 1 was worth it, and Girl From Mars became the anthem of my Summer.
On arrival at university, I found myself in a house with 4 blokes of my age, who mostly (apart from Chris, and his continuous rotation of Deep Blue Something’s “Breakfast at Tiffany’s”) had great taste in music. I also found myself with a bit of money (I was one of the last recipients of the Student Grant, and the parents were good to me too), and Ash’s 1977 album – on tape (£4.50 on the day of release! Awesome!) Had to be done.
When you are young, and you’re music collection fits on a single shelf, you get to know it intimately. I can still sing Michael Jackson’s Bad in its entirety all the way through – every word and “hee heeee!!!” Extreme’s Pornograffiti visits once in a while like an old friend. Ash’s 1977 was similar, although not on such heavy playback, but the chance to hear them play it in full, 12 years later, had to be done.
Back to a 3 piece, after losing their 2nd guitarist, Ash’s last album didn’t do well. Put it this way, Lisa and I have all their albums, except that one. Free All Angels was probably the last album we bought 2 copies of, unsure at the time of our level of commitment. However – last Friday night, they were rejuvenated, as was the whole of the Roundhouse. We may all be 30(ish) now, but there is nothing like seeing your favourite band of your teenage years, playing their best album, like it was 1995 all over again.
I’m old enough to want to sit down for a gig these days, and Lisa is short enough to want to see too, so the balcony at the venue suits us fine, but if I could have swapped places with anyone in the seething mass of sweaty bodies below us, feeling and acting 13 years younger, 13 years more care free, and 13 years more happy to sit for 45 minutes on the Northern Line, stinking of BO and spilled beer, I would have done like a shot. Then I’d have worried about the wife getting elbowed in the head, and it wouldn’t have been such fun. Some responsibilities never change.
Oh – and they had Stormtroopers too. Cool.
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